Tag Archives: Ask Nubby

Ask Nubby #47: Can I Make A Design Career Work With Kids?

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I am 19 years old and recently became pregnant. It was unplanned and a surprise but has kicked my future goals into high gear. Lately graphic design has been something I’m interested in, and seems like it could be a reliable career, but I don’t have a clue where to start. I will be in my second year of community college and I plan on learning all the Creative Suite programs and the latest in design and typography before transferring to another school to get a bachelor’s degree. So my questions are 1. Where should I begin as a newbie in pursuing a career as a graphic designer? and 2. Is graphic design something that is manageable with a baby?

advice typography

Source.


Never stop learning. Stay focused.

First off, I commend you for staying focused on your education and future! From my perspective, it sounds like you’re doing everything right, including taking an affordable route to kicking off your education (I’m a proud community college graduate myself). It sounds corny but a thirst for knowledge will get you far. The very best designers started out just like you — everyone begins with limited knowledge and through schooling, internships and experience, we all get better. Four years since graduating, I still feel like I’m learning something new every day and truthfully, the learning never really stops. Since you’re already in school, my two suggestions for supplementing it would be to subscribe to Lynda.com and watch as many videos as you can and secondly, to read as many design and creative industry blogs as possible. The more you learn and the faster you’re able to pick up the basics, the better. Also, joining AIGA can help you make design industry connections.

To answer your second question, you’re not alone in thinking about how to make a design career mesh with being a mom. It’s on a lot of other women’s minds as well so take comfort in that. Designer Promise Tangeman recently wrote a great article on the subject (the comments are super insightful as well) as did new mom and designer / blogger Joy, who explains in detail how she makes it all work for her. Finally, the book Mom, Inc. will hopefully inspire and empower you to find a way to crete a routine that works for you.

I’m not going to sugarcoat this; working as a designer is really demanding even without kids. But I also do personally know plenty of moms who make it happen every single day (and somehow make it look easy!) I’ve heard many moms (and moms-to-be) talk about how there’s never going to be that “perfect time” to have children and balance that role with their careers. And of course, everyone has an opinion on the subject but when it comes down to it, the only opinion that matters is yours.

Once you are finished with school, you can take two paths:

1. Work for someone else. From my experience, working in-house tends to be a lot less demanding than working in an agency environment. This is because when you’re in-house, you have one client: your company. And, the lines of communication are much more direct. In comparison, when you’re at an agency, there are many clients who are setting the deadlines and demands for you to answer to. Realistically, if a presentation is due and you have to work until midnight or god forbid, pull an all-nighter, will you have a reliable option for childcare? I wish I could say that crazy hours are something you won’t have to worry about in this industry but depending on who you work for, they are often the norm.

2. Work for yourself. If you decide to run your own studio, you’ll have more control over your hours. The biggest trade-off is that you’ll be in charge of your own health benefits and the paychecks won’t be steady, at least in the beginning. But having that freedom to be with your child may be the best reward.

Note: I felt that this was an important question to address but at the same time, I don’t have kids of my own and they’re not in my future plans so I can’t put myself in someone else’s shoes who does. Readers with kids who also work in a creative industry, please weigh in and share your advice. We’d love to hear your thoughts!

Ask Nubby #46: How Do I Build My Font Library?

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How do you build up your font library? Buying fonts one by one seems to be a very expensive endeavor. And what is the anatomy of a bad font? My teacher said that all free fonts should not be used. Granted a lot of them are gimmicky, but dismissing all of them just like that seems shortsighted.


advice typography

RBNo2 by Font Fabric


It’s good to start building up your font library as early in your career as possible. My advice is to invest in what you can, when you can. Bookmark your favorite fonts and when you start making money off your services, view purchasing fonts as an investment in your business. If you’re a freelancer, they’re considered an expense and therefore, a write-off. Save those receipts! I swear by Veer, House Industries, YouWorkForThem and Hoefler & Frere-Jones for high quality font options.

I was lucky to get off to a great start with my personal font library. During my first semester of college, my instructor provided us with a handful of the tried-and-true classics including Bodoni, Garamond, Caslon and Avant Garde. Having access to this limited but high quality collection of fonts got me going down a solid path and I used these over and over again in early design projects. From there, I gathered more during my first internship at an ad agency and as I began profiting from client work, I kept building my collection.

Instead of asking what the anatomy of a bad font is (design and typography can be so subjective, just like fine art — one person’s trash is another person’s treasure!), focus on what the anatomy of a good font is. When I applied for a design program back in 2006, the first book I went out and bought was The Elements of Typographic Style. This book is often referred to as the “Typographer’s Bible” and for good reason. Penned by Robert Bringhurst (who also happens to be a poet), his attention to detail when it comes to typography is unparalleled. This book will teach you to appreciate even the smallest details in typography all while absorbing proper etiquette.


advice typography

Valentina by Pedro Arilla


When it comes to free fonts, don’t write your teacher off completely — they are making a point that has some validity! I heard similar advice back when I was in school and with good reason — we’d all go crazy on free font sites, downloading and installing without much thought on our school computers and most of the time, we got lucky. But, there was that occasional misfire that screwed up our machines! Admitting that we’d installed a bad font and having our teacher call up the tech guy yet again was embarrassing. And so not cool.

Over the last few years though, the tide has began to turn and the abundance of high quality free fonts is pretty unbelievable. To prove my point, here’s the 100 greatest free fonts of 2012! Seriously, this is the best roundup I’ve ever seen.

Enjoy!


Ask Nubby #45: Should I Use My Degree or Follow My Passion?

ask nubby advice


I am an architecture student finishing my fourth year of school this June but now I’m not sure if I will continue to pursue this path. I want to study fine art but I am scared that I’m not good enough and it costs a lot more. I chose to study architecture because I thought it was more practical to design houses than to paint pictures. Now I’m wondering if I made the right decision. I don’t want to end up doing a job that I don’t find fun!


ask nubby advice

Source.


First of all, take a deep breath and realize how close you are to reaching a goal that you began four years ago. Some people may disagree with me but I’m a firm believer in completing what you’ve started when you’re that close (and have invested a good chunk of time and money). If you were only a year or two into your studies, it might make sense to pull out but you’re almost there!

Maybe I’m a bit more traditional in my career views but here’s what I think: For now, being an architect will allow you the opportunity to earn a great living until you figure out your next move. If your goal is to be a fine artist, you don’t have to jump in with both feet first (remember, many artists aren’t solely artists for a living). Perhaps it makes sense to work full-time out of school and see if you even like architecture (who knows, you might fall in love with it once you’re doing it professionally!) And then, maybe you can set a goal of cutting back your hours to part-time within a specific time frame so that you have more time to dedicate to your art. Your decision doesn’t have to be all or nothing right away unless you’re fully comfortable with that prospect.


Your passion does not have to be the same as your career.

Consider this: Your passion or hobby doesn’t have to be the same as your job. Fine art is something many of us do as a creative outlet but it can take awhile to establish yourself and earn a great living as a fine artist. Tangling your passion with your profession can also be tricky. Once you’re creating art to make a living, the focus of your work may also start to shift. What happens if you have bills to pay and a commission comes along that you’re just not comfortable with? Do you take it or leave it? In that position, would you wish that you’d stuck it out with a steady paycheck a bit longer so that you could turn down certain opportunities that didn’t fit within your artistic vision or goals?


Do both.

Have you considered doing both architecture and fine art? Here’s the thing: It’s hard to make a great living right out of school as a fine artist. Yes, it’s possible! Yes, some people have all the charm and talent and make it look easy! But often, unless you’re an illustrator that’s willing to do commercial work or perhaps a painter that does commissions and murals, it can take some serious time and commitment to gain momentum (i.e. a distinct style, solo shows, steady clients and representation). Do you have a plan in place to support yourself in the meantime?

I, too, wanted to be a fine artist. I ended up going to school for design because like you, I felt it was more practical than art. Art was a huge passion of mine but I found a happy medium by becoming a designer which provided a much steadier income and then came home from work and set aside a few hours each night to work on my series. I had a solo show at the first agency I worked at and later, my collages were used on a line of snowboard goggles and helmets! Working as a designer actually helped me open up more doors for creating fine art. Architecture may do the same for you in very unexpected ways.


If fine art is for you, make a plan.

Be smart about your decision. Do you even need another degree to be an artist? Do you have a specific style and medium established? Is your work only accessible through a gallery or do you offer a format and style that would do well on a site like Etsy? Do you have social media set up to promote your artwork? Making a clear plan of what you hope to accomplish will make the transition into fine art as a career a lot less stressful. If you’re looking for more advice about a fine art career, I highly recommend reading Taking the Leap by Cay Lang. This book was recommended to me by another artist years ago and is full of practical advice on how to build a successful career, promote your work and put together contracts.


In Closing.

Remember, life doesn’t have to be about either / or. Fine art vs. architecture doesn’t have to be a black and white decision. If you do decide to use your degree to earn a living, you don’t have to continue down that path forever. How will you know if architecture isn’t right for you if you don’t try? You can always change your mind. Follow your gut. It’s always okay to make a change when something in our lives just doesn’t feel right.


Readers: What do you think? Have you been at this crossroads with your career before? How did you decide what to do next?


Ask Nubby #44: I Am Not the Best. Should I Refer Work Elsewhere?

ask nubby advice


Hello, I was wondering about referring work and clients. I am a very good graphic designer but I know that I am not the “best”. I occasionally get work from clients that I think friends of mine could do a better job on. Should I refer the job to them or not? I’m afraid that it will look really bad to the client when I can’t deliver the best possible outcome. Help!


ask nubby advice

Source.


This is a fantastic question and brings up a much larger issue. As creatives and humans, we’ve all had those moments of self-doubt and feeling like we’re not the best. Well, I’ll let you in on something that will hopefully shift your perceptions: in almost any field you go into, there’s always going to be someone that’s better than you in some way.

So, take a moment to free yourself from those self-deprecating feelings and move on. Let go. Instead of wallowing in self-doubt and contemplating whether you’re good enough, focus on the big picture of your career. What have you accomplished and where would you like to go? Are the clients you’ve done work for happy with your output? Think about it: if your clients are happy, you’re definitely doing something right.

Self doubt is normal but be realistic.

Design is an extremely competitive field and I remember the self-doubt I felt during my first agency job fresh out of school. All of the designers on my team were much more skilled (and in my mind, that equated to way more awesome) than me but you know what I quickly realized? I was comparing myself to designers that had 5, 10 and even 15 years more experience! I was a fresh graduate trying to be as good as them! Obviously, I was setting myself up for failure with the “I’m not good enough” mentality. Once I realized that I’d been comparing apples to oranges, I was able to relax, put my guard down and go with the flow. I was aware enough to realize that everyone on the team was friendly and willing to help me when I asked — I was the one with the issue.


“We don’t see things as they are. We see them as we are.” — Anaïs Nin


Back to your question — clients are coming to YOU. I’ve always felt that if someone is choosing you out of the hundreds, even thousands of options they have out there, it’s because they admire your work. They want to work with you. Go above and beyond and most of the time, you’ll have a return client.

Know when to say no.

At the same time, if you feel very strongly that you’re not the best fit for the job, refer that client to the best person you know. After all, it’s better to be really amazing at something versus a jack of all trades and master of none. For instance, I’ve done my fair share of print and web design and feel confident in these areas but I’m aware of my limitations when it comes to retail environments. I can concept and whip up production files for banners and second-surface graphics for store windows but developing the entire look and feel of a full retail location or trade show booth is beyond my scope. If you feel like a project is way over your head and far outside your comfort zone, don’t commit. In the end, nobody will be happy!

One of the hardest things to admit is that as individuals, some projects are bigger than us. Some of the work I’m most proud of was created with teams, often including an art director, a copywriter, a producer and multiple designers. The client had a big vision and a team was needed to pull it all together. So don’t beat yourself up if you’re not seemingly awesome at everything! Remember that a lot of the big campaigns and projects you admire often weren’t the work of a single individual; they were the work of a team.

Surround yourself with the best.

Finally, consider this: if you feel that others around you are “better,” this can actually be a good thing. Strive to surround yourself with successful people. They give you goals to work towards and a reason to push yourself further. If you truly felt that you were already “the best,” would you work so hard? Probably not. Remember though that the people around you should be as supportive of your efforts and goals just as much as you are with theirs. It’s a two-way street.

The bottom line.

Put in that extra bit of effort to always deliver work that you’re proud of. Knowing that you’ve done your personal best (even when a project has dramatically shifted from the initial brief) is important. You may not want to put every single project in your portfolio (trust me, there’s campaigns I’ve spent two months of my life on that nobody’s ever seen) but knowing that you gave it your all is what’s important. If you’re good at what you do, your clients will notice. And remember that confidence is built over time, as we gain experience. We’re all a work in progress. As creatives, we all want to be better and do better. Take comfort in that.


“There are no short cuts to any place worth going.” — Beverly Sils


Ask Nubby #43: How Can I Manage the College / Life Balance?

ask nubby advice


I’ve been stuck in a real rut lately. Being a college freshman taking six classes, I feel like I’m running myself dry creatively, or perhaps more so, motivationally. I keep dreaming up all these grand ideas, but by the time I get back to my dorm I just want to go back to bed. I know schoolwork should come first, but I’m having a hard time focusing on that when I’m dreaming up creative design projects. I feel like I am putting all this time into useless projects for class and I’m losing valuable time for my personal projects and potential business. How can I avoid getting swept up into to the crowd of becoming just another college student?


ask nubby advice

Do All Things With Love.


When you’re in school, the work / life balance can seem almost impossible to achieve. I know all too well how this feels (see below). But do remember that you have the rest of your life and career ahead of you — plenty of time to make your dreams a reality. I had the same issue as you — my mind was constantly racing with ideas for personal projects during classes but time was scarce. What I have since realized is that just because you can’t act on your ideas right this second doesn’t mean that they’re going to suddenly evaporate or become less-thank-awesome. My solution was to carry a notebook everywhere with me to jot down those ideas. And, I did come back to many of them later on.

Though it’s hard to see now, while the projects you’re working on for class might not seem directly valuable to you at the time, the takeaway is usually more abstract. It could be that you’re learning a particular skill or gaining experience that you’ll be able to draw upon years down the road.

When I was 26, I began my second and final year of design classes. My schedule looked like this for a full year:

Monday: School // 9 a.m. – 6 p.m.
Tuesday: Agency Internship // 9:30 – 6 p.m.
Wednesday: School // 9 a.m. – 6 p.m.
Thursday: Agency Internship // 9:30 – 6 p.m.
Friday: School // 9 a.m. – 1 p.m.
Saturday: Retail Job // 10.a.m. – 6 p.m.
Sunday: Retail Job // 11.a.m. – 5 p.m.

Notice that there were no days off. Looking back, the constant rotation of tasks with a new place to be each day often left me reeling. Balancing so many commitments on top of blogging five days a week (I’d started this blog the year before) was bordering insanity but I pulled through because I had a set of goals at the end of the tunnel: 1. I needed to finish my design degree to get into the agencies & studios I admired. 2. I had to work because there was rent and bills to pay. 3. The internship was at an agency I considered my top choice for post-college employment.


ask nubby advice

Hold onto your inspiration. It’s not going anywhere! (source unknown)


If I hadn’t had goals, I probably would have dropped to the floor at some point, given into the exhaustion and cancelled some of my commitments. Even though I pulled through this stressful time, I won’t lie, it was definitely one of the hardest years of my life. But I got through it day by day, week by week and it taught me some key points:

1. Good time management

Even though you’re short on time now to work on your personal projects, this is something most of us will have to cope with for the rest of our lives. As we move from school to careers, to managing households, the time crunch doesn’t usually get much better post-college. School might seem like a drain now but if you have a very strict schedule and a very limited amount of time to complete particular tasks, you’ll find a way to make it happen. That drive to follow through with the seemingly impossible in a short window of time will come in handy later in your job.

2. Rating the level of importance of tasks

With a list of school assignments a mile long, you’ll quickly learn how to delegate and fly through completely different tasks in record time. When you’re at your post-college job and the boss rambles off a list of random items, you’ll be able to smile, respond with “no problem” and then rate, delegate and conquer.

3. Negotiation

There are going to be times where you’re expected to do two things at once. Or, worse yet, to be two places at once. During my final year of school, the agency I was interning at wanted me to come in on Fridays. One little issue: I had school on Fridays. It was in my best interest to work on Fridays because 1. the internship was paid and 2. it was where I hoped to work post-college. I negotiated with my teacher and she agreed that as long as I got my schoolwork done, I could work on Fridays instead. Think outside of the box when it comes to your schoolwork; most teachers are human and are willing to compromise with you if you show a willingness to meet them in the middle.

In Closing

While school can be a bumpy ride at times, remember that nothing lasts forever. You have an awesome opportunity to gain an education — try to embrace the experience now instead of rushing through assignments. Your ideas will still be with you once you’ve graduated and the life skills you learn in college will follow you through the rest of your career.


Ask Nubby #42: As A Teen, How Can I Jump-Start My Career?

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Today I’m answering a question from one of my high school-age readers. This question really resonated with me and hopefully they’ll have the opportunity to discover their passion for design much earlier than I did.


ask nubby advice

Image Source



Hello,

I am a sixteen year old aspiring graphic designer and blogger and I am avid reader of your blog. I am interested in creating a website showcasing my personal style, graphic design, and my photography. I have grown up around technology and design and would very much like to become a successful designer and blogger but I’m not exactly sure where to start. What would your advice be to someone my age who is still in high school and aspires to become a household name in terms of blogging and design?


First of all, I have a deep admiration for teenagers that are so focused on knowing what they want to achieve career-wise early on in their schooling. As much as I loved art, I definitely didn’t have a clear vision for what I wanted to accomplish post-high school. It took me years of trial and error, working my way through various college courses and jobs before I found my true calling. In hindsight, it all seems so clear but at the time, I definitely felt lost. To get a head start on your chosen path, I’d recommend the following:


1. Start your blog as soon as possible.

Get started with your blog now to showcase your style, design and photography. If you don’t have the means to build a custom site, start up on a free platform like Blogger (there are tons of online tutorials that can show you to customize it). I spent six years blogging on a free platform before I launched my self-titled blog and that time was extremely valuable for developing my focus and making many of the online friends that I still have today. The web is extremely malleable and you can always go back and make as many changes as you’d like to your design and content but the idea is to start building momentum and recognition now.


2. Develop your own lesson plan.

If you’re too young to enroll or unable to afford college courses, seek out design tutorials. Smashing Magazine has some great ones and Lynda.com is fantastic for perfecting specific techniques. Also, subscribe to design and lifestyle blogs that excite you. Gather inspiration at every turn and pin it for future reference. All of this will build your confidence while helping you to develop your own style.


3. Seek out a mentor.

Being both a designer and a blogger is hard work and as you begin your journey, you’re bound to have many questions. If you can find someone that’s already been down that path, they can offer you insight and advice about what to expect along the way. Four years ago, a recent design graduate emailed me and on a whim, we met for dinner. Since then, I’ve critiqued her portfolio and recommended her for freelance gigs. At the same time, she’s been really supportive of what I do. It’s really rewarding to develop relationships with people who share a creative bond. If nobody around you shares your interests, many school counselors are pretty savvy these days and can help you form a career plan.


4. Never let peer criticism get under your skin.

Often, when you’re young, determined and talented, peers will try to get in your way. It’s important to ask yourself if these folks have your best interests in mind or if they’re simply threatened by your talent. While I have many fond memories of high school, I have many negative ones too. Looking back, I wish I’d been even more strong-willed when people put my style and aspirations down. We all have bad days but if you have a strong sense of who you are, you’ll overcome most challenges.


5. In Closing

At sixteen, you have so much power to dream big and with some planning, there’s no doubt that you’ll shape your future life into exactly what you want it to become. I have the utmost faith that with the determination and thirst for knowledge you possess, you’ll have great success with both design and blogging. It’s never too early to get started.


signature

Ask Nubby #28: Short & Sweet Edition

ask nubby advice nubby twiglet

ask nubby advice nubby twiglet

Yes. Every day presents the opportunity to learn something new; this in part can help to fuel your creativity. Life experience has helped me gain fresh new perspectives when designing. I am a very visual person and to fuel the creative process, I always carry a camera with me wherever I go and constantly collect inspiring images online. Each project that you do has the potential to teach you something new no matter how long you’ve been a designer.

ask nubby advice nubby twiglet

It’s always fun to look back and see what was inspiring you at a specific time (Spring 2007).

With time comes maturity and more defined ideas. I know quite a few people who waited to go to school for design – including myself. If I’d done it when I was 18, I don’t know if I would have appreciated the process as much. By waiting until I was 25 and having already completed one degree, I was positive that I wanted to be a designer. The life experiences up to that point including jobs and traveling made me much more aware and open to new ideas.

ask nubby advice nubby twiglet

ask nubby advice nubby twiglet

Overall, I feel that anything web 2.0 is okay in really small doses and if any elements are incorporated, they should fit into the overall look and feel of the project. Personally, I mostly try to steer away from web 2.0 elements but sometimes they can add some needed dimension. For some great examples, check out 25 Examples of Web 2.0 and Traditional Design Rules Coming Together.

ask nubby advice nubby twiglet

ask nubby advice nubby twiglet

Of course. As a designer, it’s normal to question what you’re doing and to contemplate whether your work is good enough. If you start thinking that all of your output is great every time, it’s time to ask yourself if you’re still growing as a designer.

On some of my biggest projects, I got multiple opinions before sending the work out because I wasn’t sure if it was good enough. Usually, outside sources view things in a different way than you as the creator do; a few tiny tweaks can take a project from good to great. The best designers that I know still manage to remain humble and work really hard at what they do. And, they never quite think that they’re good enough – that’s what keeps them pushing forward every day.

ask nubby advice nubby twiglet

You’re never going to be Milton Glaser. That’s okay. Be the best YOU can be.

One thing to accept the second you decide to become a designer is that there’s always going to be someone that’s better than you and that has more experience. Once you realize this, it’s easier to just focus on becoming your personal best.

ask nubby advice nubby twiglet

ask nubby advice nubby twiglet

Whether a client is big or small, show up on time, dress the part, do your research, remain humble and deliver what’s been promised. Remember that even when working with big corporations, you’re often still only interacting with a handful of people.

I’ve never done a pitch to gain any of my personal clients – they’ve all found my work online and contacted me directly.

ask nubby advice nubby twiglet

ask nubby advice nubby twiglet

Ultimate dream?? Wow, that’s a lot of pressure! At the moment I am pretty content (you’ve gotta learn appreciate what you have in the moment) but in a few years, I would love to work at Elle as an editorial designer, be an art director at a boutique agency and partner up with my brother on some big design projects. Beyond that, my goal is to publish a book about how to market yourself as a designer and travel around the country speaking to college students about building portfolios and how to make it as a freelancer. To sum up your question, I don’t think I have a singular ultimate dream. It’s a combination of smaller parts.

As for personal projects, I like to collage in my Fashion Notebook and design new business cards. That’s about all I have time for at the moment.

ask nubby advice nubby twiglet

ask nubby advice nubby twiglet

It’s part of the Moleskine Colour a Month Notebooks which I absolutely adore! I’ve been using Moleskine planners for years to keep my life in order and these are especially nice since they’re so lightweight and compact.

ask nubby advice nubby twiglet

ask nubby advice nubby twiglet

It depends on the quality of the project. Overall, a mix of your highest quality work, largest clients and something that really expresses your personality should create a nice, rounded mix. Ask a design mentor or someone you trust what they think of the project – is it strong enough to be included? If not, that’s okay – you could still mention your winning submission on your resumé.

Do you have a question? Ask Nubby.





Ask Nubby #27: Should I Separate My Blog and Portfolio?

ask nubby advice nubby twiglet

ask nubby advice nubby twiglet

ask nubby advice nubby twiglet

ask nubby advice nubby twiglet

This is a tricky situation! I think about this all the time – as I am sure that most designers do. Blogging for many of us is a creative outlet and often, our personal lives and opinions cross over into the content. The truth is, though I’ve been blogging in some form since 2001, I was very aprehensive at first when I was considering relaunching Nubbytwiglet.com as a blog format in 2007. My web designer friend Star had just turned her website into a blog and though I loved it, I wasn’t sure that it was the right approach for me.

Up until that point, I’d noticed that most designers seemed to lurk in the shadows; they let their work do the talking and often, they didn’t even have a photo of themselves on their About page. To me, they came across as mysterious. When I asked Star about this, she basically said that I was looking at the way the ‘old guard’ did things; the designers of the future were going to jump on the social media bandwagon. I took her advice and began blogging on my domain in August of 2007.

When it comes to content, what I soon realized is that as someone who likes to update my blog at least five days a week, it’s nearly impossible to develop design-related posts every day. Breaking up the schedule with outfit photos and links helps with the rountine. And, it’s good to remember that not everyone is going to be interested in design. Some of my readers may be intrigued by style, the city in which I live or even shoes. By adding in a more diverse variety of content that extends beyond just design, I am widening the net of potential readers.

Sometimes, posting photos of my new shoes or house make me think twice because first and foremost, I consider myself to be a designer. I don’t want to dilute what I do for a living. But, at the end of the day, I’m not going to censor who I am. I like to post about things that make me excited and that have the potential to inspire my readers.

I’ve always wanted to be bigger than just a designer, if that makes sense. I strive to be a personality, an information source and a brand. Eventually, I want to tour schools, write a book about marketing for designers and teach students about freelancing and building portfolios. If people don’t like me based on what I post, that’s okay. We are all human and entitled to our opinions. I’m not going to pretend to not have a personality because I think it will help me get more work. To me, being authentic and staying true to what I love is much more important. When it comes to social media, the saying is that content is king. If that’s the case, then authenticity should be its equal.

My point is, use common sense about what you’re posting…but stay true to who you are. Readers can sense authenticity a mile away. Reach out – it’s okay to share your work and experiences with your readers. By offering other content besides just my portfolio, I am able to connect with more readers. And someday, those readers might need my services. Overall, people like knowing that there’s a person behind all that work!

I should mention that my outlook on sharing may differ compared to other designers because I’ve worked at companies where blogging and social media were encouraged. During my time at Nemo HQ, I was mentored by Dave Allen (now running Fight) who not only blogged constantly but was always at the forefront of social media trends. Nemo was never afraid to share what went on behind its walls and it only added to the cool factor.

As a designer and a blogger, take into account that the more you share, the more assumptions people will develop about you and your life. You’ve got to have a thick skin because not every comment or email will be friendly. But, that’s life. Nobody (except perhaps Mother Theresa) is universally loved by everyone! If you feel like sharing, then share. Just don’t overshare. Though I do a Week in Pictures post, it’s more of an overview of a week in my life. I don’t detail every little thing that went wrong, every meeting I went to or expose sensitive client work.

Sharing is an amazing thing – it has the potential to inspire and influence. On the other hand, I know plenty of designers that choose to keep the focus 100% on their work. They’re not comfortable sharing their personal lives and that is fine as well. I say, do what you’re comfortable with and what makes you happy. Share as little or as much as you like. It’s as simple as that.

Readers: What are your opinions on sharing? How much or how little do you share? Do you think it affects the perceptions of a designer’s work?