Category Archives: Best of Design Projects

Digital Facelift: Luke Copping E-Promo

link love

Towards the end of 2012, photographer Luke Copping decided that it was time to make some big updates to his marketing plan. Our first order of business was to update his e-promos.

The template we’d designed two years before to accompany his print promos was feeling a bit tired — there was only room to feature one story and we’d been noticing a trend towards digest-style promos which allowed for multiple stories and a lot more reader engagement.

After working together for three solid years, Luke and I tend to be on the same wavelength — we nailed this design on the first try and since it’s a template, Luke can easily change out the content each month to share his latest project highlights.

About the new promos, Luke noted on his blog that, “This sort of format just makes sense to me. It is easy to quickly read and understand, gets the point across without being overly obtrusive, features a range of current projects that recipients may find relevant, and gives them a choice of which stories they want to engage with and explore further.”

When it comes to e-promos, it doesn’t matter how good they look, they still need to perform. I was excited to receive a recap of the stats after Luke sent out this new format and at this point, it appears to be our most successful digital promotion yet!

In the weeks since, we’ve started digging into a few more small updates to Luke’s branding including his Facebook header, which is also a template that he can change out as often as he likes.

We’ve got quite a few more projects coming up and I’m looking forward to seeing where this year takes Luke — he’s got a lot of ideas up his sleeve for both his branding and photography.

link love

View some of my previous collaborations with Luke Copping here:

• Print Portfolio
• Magazine
• Letterpress Business Cards
• Various Promos

Digital Portfolio Update: New Projects!

Nubby Twiglet Digital Portfolio Update

Portfolios are a popular topic of conversation with creatives because most of us need them to gain new clients. To this day, my career is heavily reliant on my portfolio. It doesn’t matter how great of a designer you are — whether you’re showing up for an interview or trying to land new clients, your portfolio holds the key to opening up new opportunities. I believe in doing a refresh a minimum of once a year. If you wait beyond a year, the updating process just becomes more overwhelming and easier to put off.

Over holiday break at the end of the year, I got to work pulling out old projects, adding new ones and creating a mix that I was happy with. I am working on a self-hosted portfolio site that will go live in a few months but for the time being, Cargo has been working out just fine. While I tend to keep no more than 10 to 12 projects in my print portfolio, I show a lot more online since there aren’t the same time and length constraints.

Without ado, here are a few recent projects and additions to the portfolio:

Nubby Twiglet Digital Portfolio Update

1. Miss Anastasia Perfume

This project was a dream come true because I got to design everything from the identity to the packaging and collateral for this fragrance. Launched by Olivine, Miss Anastasia features a classic, seductively French visual direction and a great story. Better yet, as someone who usually shies away from perfume, I now carry a vial of this in my purse everywhere I go. I love it that much. Get yours here!

Services: Identity Development, Packaging Design, Splash Page, One-Sheet, Postcards


Nubby Twiglet Digital Portfolio Update

2. Juliane Berry Photography

Photographer Juliane Berry splits her time between Paris and L.A. and I first met her when she shot Gala & I in Paris two years ago. After getting photographed by her, I not only fell in love with her work but as a person as well. Instead of simply shooting us and sending us on our way, she gave us a day-long tour of the city, showing us all the cool, lesser-known sights. Her style is inviting and romantic and I’m so glad to call her a friend.

Services: Identity Development, Web Design (site and blog), Collateral (business cards, stickers, invoice, DVD label). *Responsive development on blog by Star St. Germain.


Nubby Twiglet Digital Portfolio Update

3. Lindsay Taryn Photography

Brooklyn-based wedding photographer Lindsay Taryn wanted an identity that aligned with her modern, free-spirited style. I love that she stayed away from the soft and sweet colors normally associated with the wedding photography genre and instead followed her own uniquely modern path. Once we were finished with her identity and business cards, we created a guide that helps clients know exactly what to expect when hiring Lindsay Taryn for their big day.

Services: Identity Development, Business Cards, Photography Guide


Nubby Twiglet Digital Portfolio Update

4. Rock n Roll Bride

You probably know Kat quite well around these parts now! She’s a friend of mine, part of The Blogcademy and the founder of Rock n Roll Bride! We just gave her digital media kit a facelift for 2013, reworking it to more closely align with the look of her wildly popular print magazine. And, we followed up this project with her revamped website. Go, Kat!

Services: Editorial Design, Production


Nubby Twiglet Digital Portfolio Update

5. The Blogcademy

By far, my proudest moment last year was launching The Blogcademy, a strategy-based blogging workshop with Kat & Gala. Being in charge of all the branding and collateral that included everything from a one-sheet to a workbook to a website was a monumental task but it was important for me to put forth a professional image that complemented the content we worked so hard to craft.

Services: Identity Development, Web Design, Media Kit Design, One Sheet Design, Workbook, Collateral (business cards, stamps, stickers, pins, graduation certificates and report cards)


Nubby Twiglet Digital Portfolio Update

6. Sasha Gulish Photography

Lifestyle photographer Sasha Gulish has such great, energetic images! She came to me in need of a full brand overhaul and we’re still in progress with many projects — this overview only scratches the surface but I love how our outcomes so far convey her sunny, inviting style.

Services: Web Design, Portfolio Design, Print Promos, Web Promos, Business Cards


There are many more projects to check out as well — almost every one has been tweaked and updated in some way. Have a look around!

Rock n Roll Bride: A Brand New Website & The Big Picture

Rock n Roll Bride Website

I am so happy for my good friend Kat Williams because after many long months of hard work, the brand new design of her wedding blog Rock n Roll Bride has launched!

This has been a huge labor of love and part of a string of projects we’ve been working on for two years now. Kat and I met through a mutual friend in 2010 and perhaps the most ironic part of our design relationship when we began working together is that I was completely clueless about weddings. COMPLETELY. At the time, I’d never bought a wedding magazine or read a wedding blog. Looking back, in a way being an outsider turned out to be a benefit because I wasn’t weighed down with expectations of how her brand should look.


Creating A Brand You Believe In Doesn’t Happen Overnight

When Kat approached me needing a rebrand for her business in 2010, the typical wedding finery didn’t particularly link up with what I had in mind for her. I thought she was much too badass with her pink hair, attitude and all to go down that road — and with a name like Rock n Roll Bride, I was way more inspired by one of the original sources for rock and roll news, Rolling Stone. My gut was to embody the the timeless, rock and roll vibe that they had but with a purposely feminine twist.

Rock n Roll Bride Website

Differentiation is Key

When creating a brand, while it’s important to do market research and see what’s out there, don’t be afraid to add that unique twist and think outside of the box. Instead of thinking about what makes you the same as your competition, ask yourself what makes you different. Early on, it might seem safe to do what your competition is doing when it comes to your branding in the hopes that you can ride on their coattails and get some of that recognition too but then you’ll just be second best. Remember that if a bunch of brands are put into a lineup, the one people will usually remember is the one that’s different from the rest. With Kat, the differentiation we created with her identity by doing less wedding and more rock and roll is what makes her stand out.

After the identity, we did new headers for her blog, a media kit for advertisers and then, we went a step further designing a 40 page print magazine for her to take to a wedding fair (1,000 copies flew out the door). All that was a great platform for where she saw her brand going but looking back, I didn’t think it was polished enough yet. After all, the wedding industry has high standards and deep pockets — there’s no denying that a tight, polished image plays a huge role in staying competitive.


Rock n Roll Bride Website

Rock n Roll Bride Website

Rock n Roll Bride Website


Rock n Roll Bride Magazine Issue #2, 2012


Momentum really built in early 2012 — I met Kat for the first time in February with a proof for her fully redesigned 80 page magazine inspired by Elle, W, O and Martha Stewart Weddings. I’d dug deep into my favorite fashion magazines (and finally a few wedding ones too!) and this was the turning point for her having a more refined image. Remember, her blog had been going strong for many years by this point. This branding evolution takes time!


Rock n Roll Bride Website

Rock n Roll Bride Website

Rock n Roll Bride Website


Digital Media Kit #2, 2012


Kat is relentless and I admire that about her. Once her print magazine was done and the site comps were delivered, she wanted me to redo her media kit to match the more grown-up, editorial feel of the mag. We finished that in the Fall. Finally, things had come full circle.


The Final Piece of the Puzzle: The Site Redesign

Rock n Roll Bride Website


Rocknrollbride.com, 2013


Kat’s website launch is the final piece of her brand revamp we’d been slowly chipping away at. We finally finished the site comps over the summer and in the the next few months, the deceptively simple looking design came to life. Kat’s husband Gareth does all the development (he’s my hero) and I know how hard he worked to make many of these features come to life. Even when I was building the layouts, there were many times where I said, “Are you SURE you want me to do this? I’ve never seen it done before!”

Rock n Roll Bride Website

One of the features I’m most excited about is the header area. When you visit Kat’s site, it’s all white with just her logo (see above). But, if you click into a wedding feature, the logo shifts upwards and the space reloads with an image of the bride. In this way, every featured bride becomes a cover girl! I also like the use of the drop caps (something we used throughout the print magazine).


Rock n Roll Bride Website

At the end of each wedding post is the Supporting Cast, also styled very similar to the magazine. I like that all of the resources are consistently called out in one spot. I’m sure this is a huge time saver for brides-to-be.


Rock n Roll Bride Website

Another interesting point is that Kat skipped over the usual sidebar fare. In an effort to make the site less about her and more focused on the weddings, she’s saved much of her personal content for an extended footer at the bottom, freeing up much of the sidebar for valuable advertising space. It’s an uncommon move but because her brand is so recognizable in the wedding blog niche, she’s able to take some chances.


In Closing

I’ve shared much of this in an effort to remind you that brands take time to build; nothing will be perfect overnight. Take time to let yourself evolve and invest in pieces of your collateral when you can. And, while it’s good to plan, that one project that comes out of left field may actually shape the way things go. At the time, we didn’t know that Kat’s print magazine would end up driving the way her blog and media kit looked. She was already established online but it took that fresh look at the offline to realize this was the way to go.

Kat has a successful brand now but it took years to build, piece by piece. This is often the reality. And that’s okay. Don’t wait for the perfect everything, perfection is a myth when it comes to branding. Instead, think of it as an ecosystem of interconnected pieces. It should shift, change and grow with you.

My Feature in the Computer Arts Collection is Out!

Nubby Twiglet Computer Arts Series Graphic Design Feature


It all happened very fast. Quite a few months back, I was sitting in the airport on a layover when an email popped into my inbox: it was from a Computer Arts editor, inquiring whether I’d like to take part in their Collection series and share a tour of my hometown along with a peek inside my life and design work. Before thinking to ask about deadlines or what exactly I’d have to deliver (!!!) I said yes.

The opportunity was quite surreal since I was such a huge fan of their previous issues and had been buying and reviewing them on my blog (if you want to get an idea for what they’re like, click here, here and here) — the design and insights are like nothing else I’ve seen available on the newsstands with a comprehensive, no holds barred approach into six various creative disciplines.


Nubby Twiglet Computer Arts Series Graphic Design Feature

Nubby Twiglet Computer Arts Series Graphic Design Feature


This feature was unique because not only does my imagery cover eight pages but I wrote the article as well! I am a confident enough writer but I’ll be honest — I’ve never written a 1,500 word article for a publication before and it was harder than I thought it would be. I’m a fan of getting right to the point when I write and there were many times when I questioned what anyone else could possibly want to know about Portland! But finally, after some (okay, many) prompts from friends, it came together. Joey was also a great sport, riding his bike around town and getting all the shots we needed. Teamwork!


Nubby Twiglet Computer Arts Series Graphic Design Feature

Nubby Twiglet Computer Arts Series Graphic Design Feature


Pursuing design is not about fame and fortune or notoriety for that matter but when things like this do happen, they remind me of why the long hours and pounding my head against the wall at times are worth it.

On another note, I learned something incredibly valuable from this experience and thought I’d share that as well. When I received this opportunity, I thought about what my friend Kat from Rock N Roll Bride wrote back in September: “I think it’s vital to be yourself, to be honest and to be genuinely interested in other people. Taking the time to get to know people, with no ulterior motive, will stand you in good stead when it comes to taking that relationship to the next level and working together.”


Nubby Twiglet Computer Arts Series Graphic Design Feature

Nubby Twiglet Computer Arts Series Graphic Design Feature

Nubby Twiglet Computer Arts Series Graphic Design Feature


The work of two of my clients, Luke Copping and Aroha Silhouettes is featured!


This also applies to business relationships and opportunities. I genuinely loved what Computer Arts was doing with their Collection series and felt it was of value to my readers so I excitedly bought multiple issues and blogged and tweeted about them. I believed in what they were doing because it was opening doors into industries that normally don’t share a whole lot about their processes. Our collaboration began because one of the CA editors saw my tweets about their issues and followed up with an email offering me the article. I’ve learned that by genuinely believing in something with (as Kat mentioned) no ulterior motives can organically lead to great things. The key is that you have to be willing to put yourself out there and share what you love.


Nubby Twiglet Computer Arts Series Graphic Design Feature


If you’ve ever wanted to know more about Portland and explore more of its landmarks, shops and places to eat, this article is for you! I’ve been keeping this issue next to my desk, still taking it all in. To work with a team I look up to and respect has been an amazing experience. And one that I’m incredibly thankful for.

P.S. If you’re in the U.S. and looking for Computer Arts issues, I’ve found them consistently at Barnes and Noble. They’re also available in print and iPad versions in the Computer Arts shop.

The Making of Rock n Roll Bride Magazine: Tips & Insights

Rock n Roll Bride Magazine

A mock-up of Rock n Roll Bride Magazine

Today I have some tips and tricks to share that I gathered while designing my biggest personal job to date, Rock n Roll Bride Magazine. These are meant to give you some insight into managing a project of this scale and will hopefully make things easier for you both from a design and management standpoint.


Tips & Insights

• Get your print specs as early on in the process as possible. Nobody wants to go through and reformat 80+ pages at the end of a project! Since Kat is located in the U.K., her magazine was set up with a different standard of sizing — I knew this from the beginning and was able to build her magazine on the proper template from day one.

Draw a rough outline before diving into the design process. I knew that Kat’s magazine would be a maximum of 80 pages and feature 4 core sections plus a handful of additional supporting pages. I also knew that featured weddings would take up the largest chunk of pages. I sat down with a pen and paper and quickly sketched out the page counts so I had some guidelines.

For example: 2 lifestyle articles x 5 pages each = 10. 5 featured weddings x 6 pages each = 30. 2 D.I.Y. features x 5 pages each = 10. 1 fashion spread x 8 pages = 8. Misc. layouts + last minute additions = 22 pages (this has some wiggle room in case an article stretches on a bit).

Rock n Roll Bride Magazine

• If you get stuck on page layouts, step away from the computer. Sketch out some thumbnails to get your creative juices flowing. One of my all-time favorite design book authors, Jan V. White has a few titles that can help you quickly visualize fresh layouts. I love his books because most were written before design became computer-based and the solutions are solid. The two titles I reach for most often are the Graphic Idea Notebook and Designing for Magazines.

• Use a few basic grids throughout your publication for consistency. InDesign makes this super easy. Simply go to Layout > Margins and Columns > Columns and set the number of columns needed. Then adjust the gutter so that your content has some breathing room.

• Stick with black and white printing for your first proof. Not only is it about 1/10th the cost of color but it will allow you to focus more closely on the strength of your layouts and the overall legibility of your type before tackling the images.

• Always mock up your design before sending it to the printer! Once issue 2 was finalized, I did one final print, trimmed all the pages and then affixed them with double-stick tape (see above). I wanted to make sure that when I flipped through it, the magazine as a whole had a solid flow.

Things look WAY different printed versus on your computer screen. The scale of type and the brightness of images may be way off from what you think. Even if you’re completely confident in your layout, print it! Then, print it again. And again!

• Keep your content organized in a way that makes sense to you. Since Kat’s magazine had four distinct categories that the content was divided into (Lifestyle, Fashion, D.I.Y. and Weddings), I used these as my main content folders so I could drill down and find images and text quickly. We kept a text document of copy for each segment nestled in there along with the photos – breaking the magazine content into those four sections made the project feel a lot less overwhelming. We focused on filling these areas out first and then I went back to the supporting pages at the end and filled in the blanks.

• Save the front and back cover design for last. Chances are, your imagery will change as you move along and it’s hard to know what the headlines will be until you’re getting close to wrapping up the project. Think of this final design challenge as a way to wrap up your masterpiece and give it a face and a name!

Rock n Roll Bride Magazine

• Always save your proofs. I hold onto mine in my flat files. You can learn a lot from looking back at your process.

• Set up some basic layouts you can reuse. InDesign master pages allow you to apply the same templates again and again. Consistency in a print publication is a good thing — developing a consistent rhythm with formatting will help establish a visual style throughout.

• Let your content breathe! I remember the first time I did an editorial layout in college — we were all new to InDesign and a lot of us felt the need to jam as much content onto each page as possible. But think instead of each page as a piece of art. Allow images on certain ones to take the stage — maybe all that’s needed is a big, beautiful quote. Others may tell the heart of the story. Let the copy rule on those. Overall, let either the copy or image take the lead because that lack of balance is what creates visual interest. If both of these elements are too equal on a page, it loses impact.

• Do your research. Buy a few magazines from the genre you’re designing for. I knew very little about the wedding industry as a whole so I bought a few Martha Stewart Weddings magazines, flipped through a few more wedding titles and researched what worked. I knew that I wanted to have a fashion and lifestyle angle in the mix so I defaulted to my no-fail favorites for inspiration: W, Interview and O Magazine. The big time publishers have the big design budgets and know what’s up when it comes to great page layouts. Observe the best and pay close attention to what makes their layouts stand out.

• Commitment-phobic? Print on demand first. If you’re wanting to give your layouts a spin and see how they look in a magazine format before taking the plunge, order a single issue through MagCloud first. See your work on perfect-bound glossy pages before committing to a full run!

Rock n Roll Bride Magazine

• Finally, practice makes perfect. The first time you tackle any big design project, it feels overwhelming (at least to me). But just like anything, the more times you do it, the more it becomes second nature. Five years ago, this project would have given me a panic attack. Now I say, bring it on!


If you have any questions about the specifics of my process, let me know in the comments!

A Peek Inside Rock n Roll Bride Magazine Issue 02

Rock n Roll Bride Magazine Issue 2

Have you seen issue two of Rock n Roll Bride Magazine? With hundreds of issues sold over the last few weeks, there’s quite a few floating around out in the real world now! This project was by far the biggest I’ve taken on to date — I’ve worked in teams before on print projects that were larger than this but those teams included art directors and production people. This time, the project from cover to cover was all me. And it’s no easy task putting together an 80 page magazine. I have major respect for people specializing in editorial design!

Rock n Roll Bride Magazine Issue 2

My dream was always to work at a big fashion magazine in New York. When I took the marketing and then design path, working at ad agencies seemed like the perfect way to combine my skill set but I still love editorial design. Over the years I’ve had the opportunity to work on look books and lifestyle-themed catalogs but never a straight-up glossy magazine. As Kat and I pushed her new branding further along, she, along with her husband Gareth had the idea to produce a brochure showcasing her blog to hand out at a wedding convention last year. We’d already done her media kit but she wanted people to be able to experience samples of her blog content in print. A 14 page brochure quickly morphed into a 40 page magazine because I saw a huge potential for her to take this a step further.

Rock n Roll Bride Magazine Issue 2

Rock n Roll Bride Magazine Issue 2

Rock n Roll Bride Magazine Issue 2

To our surprise, that 40 page first edition of her ‘magazine’ sold out almost immediately. The only logical conclusion was to do a second issue! I’d based that original 40 page issue off her media kit to keep the brand recognition high but it wasn’t in line with the standards of the magazines I admired. I wanted this ‘collector’s issue’ to be less of a memento and more of a legit glossy. To step it up for Issue 02, we redesigned the entire magazine, beefed up the content in every section, added a table of contents, letter from the editor and a contributors page.

Rock n Roll Bride Magazine Issue 2

My favorite addition though is the last spread (see below). I like magazines that end on a high note or teach me a lesson — I wanted this issue to wrap in a heartfelt, positive way and my solution was to encourage Kat to write a thank you letter of sorts which I formed into a heart-shaped text box. And boy, did she deliver! This is a speech fit for the Academy Awards! I thought about the story we were telling the whole way through — you’ll notice that the Editor’s Letter at the beginning features a big ol’ dose of attitude with a serious snarl! And the issue ends with Kat walking off, quietly, down a winding road (which cut through the ghost town we visited back in February).

Rock n Roll Bride Magazine Issue 2

Rock n Roll Bride Magazine Issue 2

Rock n Roll Bride Magazine Issue 2

I’ll be the first to admit that I’m not well-versed when it comes to weddings. Kat is the queen of alternative weddings so as you can imagine, I had some serious catching up to do! I bought piles of Martha Stewart Weddings, cross-pollinated that with inspiration from W for some high-fashion flare and attempted to add in a dash of the pitch-perfect design sense that exists in O Magazine.

Rock n Roll Bride Magazine Issue 2

Rock n Roll Bride Magazine Issue 2

My goal through the process was to keep the layouts crisp and uncluttered (wedding magazines use a LOT of white space) but still have those moments of rock and roll flare Kat is known for (if you’ve met her, which I had the pleasure of doing in Vegas, she’s got a larger than life personality!)

Rock n Roll Bride Magazine Issue 2

Rock n Roll Bride Magazine Issue 2

What I love about Kat’s magazine is that it’s a wedding AND lifestyle magazine. Instead of JUST featuring weddings, she’s also included a fashion shoot, a great business article and a handful of really cool D.I.Y. projects. And, the paper. After proofing this issue a crazy amount of times, I handed it off to Kat & Gareth who took it upon themselves to find the best paper stock they could — I can vouch that it’s heavier weight than a good chunk of the glossies you see on the newsstand. I couldn’t be happier with the outcome!

Rock n Roll Bride Magazine Issue 2

Rock n Roll Bride Magazine Issue 2

Rock n Roll Bride Magazine Issue 2

Rock n Roll Bride Magazine Issue 2

I hope you enjoyed this sneak peek inside the magazine. I have a lot more to share — tune in next week for a look inside the process I went through for tackling such a huge project. And, if you like what you see, there’s another 50+ pages of content not shown! Get a copy of Rock n Roll Bride Magazine right here!

Luke Copping Print Portfolio

Luke Copping 2012 Print Portfolio

Luke Copping 2012 Print Portfolio

Today I’m excited to share photographer Luke Copping’s new portfolio. We’ve worked on a lot of projects together over the last three years but this one was our most ambitious yet. I developed the interior layouts, designed the cover and then oversaw the production of the printing and custom covers here in Portland. It was cool to see this project come together piece by piece and then zip its way to Luke in New York over a few month period.


Luke Copping 2012 Print Portfolio


When beginning work on his portfolio, I wanted to leverage as many existing design elements from our previous collaborations as possible to keep the recognizability of his branding strong and consistent.

Luke Copping 2012 Print Portfolio

Luke Copping 2012 Print Portfolio

Luke Copping 2012 Print Portfolio

Luke already had a digital portfolio and even a print magazine that we collaborated on last year but this print portfolio was meant to be the most premium and tie everything else together. I designed the covers to mimic the embossing of his letterpress business cards and had it produced at a local bookbinder with a metallic silver foil wordmark and white foil cross pattern for a tonal effect. The white on white can be difficult to photograph but in person, the pattern comes across more clearly because of the scale — the book is 14 x 11 inches overall and I had a custom 13 x 10 inch die made of the pattern (the bookbinders keep this on file permanently in case you ever want anything else made with the same pattern). The covers are white linen with white lining and nickel screw posts. I wanted it to be as understated and premium as possible.

Luke Copping 2012 Print Portfolio

Luke Copping 2012 Print Portfolio

Luke Copping 2012 Print Portfolio

Luke Copping 2012 Print Portfolio

Luke Copping 2012 Print Portfolio

Luke Copping 2012 Print Portfolio

Luke Copping 2012 Print Portfolio

Luke Copping 2012 Print Portfolio

Luke Copping 2012 Print Portfolio

Luke Copping 2012 Print Portfolio


A lot of time was spent shuffling images into layouts that either revolved around a particular series or a color story. While the magazine had copy throughout, the portfolio was all about Luke’s photography so we kept the layouts in line with what you’d expect in a photography book. Big, beautiful and with a lot of white space when needed.


Luke Copping 2012 Print Portfolio

Luke Copping 2012 Print Portfolio

Luke Copping 2012 Print Portfolio

Luke Copping 2012 Print Portfolio

Luke’s book was printed at Pushdot here in Portland so I was able to proof it in person. He chose a premium matte paper with a slight texture that added a whole new dimension to his work. I’d been designing Luke’s print promos for years and had seen many of these images before but this paper made me see his work with a fresh set of eyes. The prints and custom cover came together to form a book that we’re really proud of. I admire Luke for constantly pushing forward and investing in the presentation of his photography business — his passion for what he does really shows. Currently, this is the only copy of his print portfolio in the world but we have some ideas for a slight twist on more.


New Portfolio 2012 from Luke Copping on Vimeo.

Luke just put together this video that more clearly shows the portfolio, from cover to cover. Thanks to Luke Copping for another wonderful collaboration!

Solestruck Retail 2012 Projects

solestruck pdx retail

solestruck pdx retail


This year, I’ve had the opportunity to work on some retail-based projects for Solestruck. Best known as an online source for awesome footwear, they recently expanded into a new retail space designed by Skylab in the heart of downtown Portland. This shop is unique because it’s their only brick and mortar location in the world.

Postcard


solestruck pdx retail


First off, Solestruck wanted a special postcard that could only be found at their PDX location. Early on, we tried a few options featuring photographs of the Solestruck storefront but decided that a type-driven design was a better fit. I haven’t had a chance to grab samples yet but the final outcome features a spot gloss over all the white lettering.


solestruck pdx retail

solestruck pdx retail


Here are some outtakes during the process developing the type-based options. I tried a bunch of overlays (above) but it began to feel overdone. Before I finalize any work, I usually print it out one last time to make sure all the elements work together. The bottom right was pretty close but the halftones at the bottom felt unnecessary.


Second-Surface Window Graphic

solestruck pdx retail


Next, we worked on a second-surface vinyl treatment to brand the windows. We kept it super simple so it wouldn’t need to be changed out seasonally.


solestruck pdx retail


This was one of my favorite alternatives, which would have been applied to the window closest to the entrance. We scrapped this route because it would have to be changed out so often.


Second-Surface Wayfinding Graphic

solestruck pdx retail

solestruck pdx retail


Solestuck PDX is located in the Black Box Retail complex along with a variety of other local specialty shops and frankly, it resembles an all-black spaceship. The only issue is that customers couldn’t tell where the entrance was! We came up with a simple solution of a second-surface arrow letting them know they’d arrived in the correct spot.


solestruck pdx retail


These are some of the alternates I also really liked.


Shopping Bags

solestruck pdx retail

solestruck pdx retail

solestruck pdx retail


Lastly, a few months earlier I presented some shopping bag graphics. I love that the backside is reversed! I got to finally see these in person for the first time when I was at the store last Wednesday.


It’s been fun working on more retail-based projects lately and I always love partnering up with Solestruck, in part because they’re an independently owned local business. If you’re ever in the neighborhood, you can find the Solestruck PDX location at 417 S.W. 13th Ave.