Harper’s Bazaar, May 2012
I first started reading Harper’s Bazaar during the Liz Tilberis years and still remember many of the iconic covers from that time well (this is one of my favorites). After her untimely death, I kept my subscription going but it just didn’t have that same spark. In the last year though, I’ve noticed a shift back to what Bazaar does best: simple layouts, bold images and crisp type.
The covers have grown more graphic and feature less headlines; the type curves along the pages to accent accompanying photos. Even the table of contents is beautifully designed! I really, really love what Bazaar is doing these days.
Bazaar’s layout prove that there’s strength in simplicity.
Over the weekend, I decided that it was time to order some rubber stamps featuring my branding. I set up vector files for my wordmark and square ‘Nubby Script’ logo but wanted a third option as well (when you’re on a roll with these types of projects, you might as well go all out). I wasn’t exactly sure what the third option should be but then I remembered a really great window installation that Belgian fashion line A.F. Vandevorst had done a few years back. In a way, the logo reminded me of the round stamps that were common at the post office though that is now sadly history. Inspired by A.F. Vandevorst and the old school round post office stamps, I’m working on that third option. The other two custom stamps have been ordered and I’ll be reviewing them on my blog as soon as they arrive! Inspiration is everywhere. It’s all connected.