Semiospectacle: A Literary Review // Branding & Design

I just designed the logo, flyer and catalog for the upcoming event Semiospectacle: A Literary Review, which will be held this Monday, March 22nd in New York City at Performance Space 122.

The curator of the event, Mashinka Firunts had prepped me by gathering inspiration beforehand. She’d defined a very clear visual direction that she wanted to take the branding and for as much work that had to be done, we moved through the process quite quickly. There were two strong runners-up for logo options but in the end, we felt that a more literal interpretation of the literary aspect of the event was needed.

Because the top hat / book logo is very bold and detailed, we agreed that the Semiospectacle type should be more clean and subtle. Since it’s not a word that registers immediately with viewers, legibility was very important – I ended up setting it in Gotham.



Once the logo was complete, the next step was to design an oversized, double-sided show card. Mashinka wanted an old-timey feel but didn’t want it to venture too far into a loud, vaudeville-style cliché. The biggest obstacle was trying to fit the abundance of type on the back while sectioning it off so that the viewer could see that there were multiple performers. While I used some decorative type, it is balanced out overall by the crisp, black and white palette.


Here are some of the type details from the back. For much of the tiny, descriptive text including the address, I used a combination of Trade Gothic and Mrs. Eaves.

The show card features a matte finish on both sides and measures 6 x 6 inches.



Once the show card was completed, I moved onto creating two standardized InDesign templates for Mashinka so she could create a catalog featuring all of the Semiospectacle information and performers.


We went through many rounds to get the layout just right. The Curatorial Statement and Artist Pages ended up looking very similar to these template options (the photos above are just placeholders).


These are the template details. All of the body text is done in Trade Gothic.

Of course, if there was an unlimited budget, there could be endless branding possibilities for Semiospectacle. I ran with a few concepts that I thought would be fun to use around New York City.

In Manhattan, there’s so much advertising space along buildings. I would enlarge the show card for mounted signs and brand doorways with the Semiospectacle type.

I really like the idea of blowing up the Semiospectacle type to grab viewers’ attention. The show cards would be placed by the doorway if they sought further information.


Extra, Extra! I also think it would be cool to make Semiospectacle newspapers featuring the show information on the front with artist details printed inside.

Ticket reservations for Semiospectacle have already reached maximum capacity but a 10 PM performance has now been added.
Here is the full show description and details if you are interested in attending:
SEMIOSPECTACLE: A LITERARY REVUE
This verbal varieté strategizes the explicitly semiotic spectacle in a multimedia showcase of live art representing an encounter between academic lecture hall, poet’s theater, and house. Its players cut across the disciplinary boundaries of scholarship, pedagogy, cabaret, poetics, and performance in an investigation of linguistic mechanisms of spectacular identity formation. Linguistic illusionists expose the parlor trick of transparent speech, conjuring floating signifiers that levitate forty-four feet above the floor. Costumes sewn from three million majuscules burst at the semes. The auditorium oscillates between reading room and performatorium. The linguistic turn transmogrifies into a shimmy. Curated by Mashinka Firunts.
PERFORMANCES BY: Vaginal Davis | Lord Whimsy | Dr. Lucky | Jeremy J F Thompson | Paolo Javier | Daniel Scott Snelson | Shonni Enelow
STENO POOL – AN INTERACTIVE PERFORMANCE: Leesa Abahuni | Nicole Abahuni | Jen Zak | Matt Jones | Kristen Rhea van Liew | Fyodor Pavlov | Lawrence Gullo | Kyle Hittmeier | Lindsay Comstock
CODEXKAMMER: A FUNCTIONAL LENDING LIBRARY MUSICAL ACCOMPANIMENT BY: Grandpa Musselman & His Syncopators
INTERTITULAR TAP BY: The Minsky Sisters
ONE-MINUTE CURATORIAL MICRO-LECTURES BY Mashinka Firunts
MARCH 22ND, FREE
Performance Space 122 150 First Avenue (at 9th Street)
Doors Open at 7:30, Staged Performance Commences at 8PM
Reception To Follow

A huge thank you goes out to Semiospectacle and Mashinka Firunts. This has been one of the most fun jobs I’ve ever done – black, white & type-based; a total dream come true. If you attend the event, let me know what you think!

Tags: Graphic Design
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26 People have left comments on this post
Awesome! I love it… an amazing addition to your portfolio for sure.
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Exquisit work! It’s your best congrats.
Too bad it’s for something temporary.
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Woahhh… that is totally amazing. You have totally outdone yourself.
Umm.. having a type-gasm right now.
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I can tell you really had fun doing it! Those are always the best projects.
And it’s so easy to stop when the brief is fulfilled, but when you’re having fun, why stop!
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Wow it really looks iconic, something I wish was contagious and I caught even. Nice job and congrats!
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There are not many people for whom I go nuts over their work publicly but I dont’ mind throwing my kudos your way. I am so jealous of the shit you come up with.
This image – http://www.nubbytwiglet.com/2010/semiospectacle5.jpg
What is that type-heavy design style called? That’s not Dada, is it? I have loved that 1800′s advetising style since I first started to take notice of such things.
This project is gasp worthy, and it’s SO FUN to see how frequently you’re coming out with exciting stuff like this.
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This is wonderful work, I agree! It is so rare to see projects where the client understands that B&W can be so powerful when the type is done just right. Hats off!
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I LOVE this… busy but so clean
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I love what you’ve done with this logo. The use of the top hat is really clever!
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Nubby, this is wonderful. I feel this is your best work yet! I love seeing your work, you better yourself everytime. Bravo Nubs!
Can you be my mentor!? How about a Nubby Twiglet Design School?
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This is the best thing you’ve ever made up until this moment of your life. How awesome is that! Also, the program seems so cool, man, I wish I was around to go!
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Gorgeous. The catalog design has to be my favorite – it reminds me of ‘old timey’ apothecary labels. Very nice work, it takes a deft hand to take so much copy and still make it look good.
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Beautiful work, Nubby. You inspire me. This is what I want to do with my life.
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I think this is one of your best branding projects! Great work lady! The use of multiple typefaces is especially inspiring, I saved the image to my own design inspiration folder!
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This is seriously sexy. My favorite mayhaps. Awesome work!
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Jules: I wish it was something like a month-long event! Would be so much fun to do wheat-pasted posters all over New York!
Amelia Arsenic: Thanks so much! Your blog and work always inspire me. I am working at an agency today and planning on wearing your gigantic black baroque necklace.
Sean: You nailed it…there was a definite Dada influence throughout this. Though I love Dada, I wanted the type to be less chaotic than the typical style. It seems like the flow of work has been nonstop lately…probably because behind the scenes, I am balancing what feels like 10 different projects along with agency work. I need a team of elves so I can take a day off!
Ally: Thanks! Mashinka came through just in time with this concept and I am glad we were able to make it come to life.
Kaz: Eventually I want to do a ‘marketing yourself as a designer’ book and program but thats a ways off…too busy freelancing! But it is a dream of mine…
Melissa Dominic: Wow, thank you. Such a huge complement!
Déborah: I am so glad that a catalog was produced. It’s nice when a client has a budget to do multiple promo pieces.
SaraKate: How sweet! Glad to hear that you are inspired — anything is possible.
Kristin: Thank you! Your branding is actually still one of my faves of all time. Using multiple typefaces can be super tricky — it was definitely a balancing act.
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Really gorgeous design.
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Thanks are owed to you, Nubby. My hat’s (and gloves) off to you.
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as
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Love this. A perfect combination of olde-timey + modern.
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Mashinka is so sweet. Your collaboration with her is simply divine – well done, Nubby!
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Hey Ms Nubby…..that logo is phenomenal. I love it!
Your style keeps evolving and getting better and better.
I especially love how you address your clients needs and wishes but always manage to infuse that Nubby sparkle into everything.
BRAVO chica!
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